I curate, produce and deliver major public artworks and exhibitions from inception to completion. I have worked with leading international artists on world-premiere commissions and shaped the format and programming for major international exhibitions for their Australia premieres.

From top left: Atong Atem, Outdoor Living, 2021, Curated by Futurecity and Commissioned by BETA by STH BNK; John Baldessari, Your Name in Lights, 2011, Presented by Kaldor Public Art Projects with Sydney Festival, Photo: Paul Green/Kaldor Public Art Projects; Your Name in Lights presented at Monnaie de Paris in 2014 with Nuit Blanche, curated by Chiara Parisi; Michael Landy, Acts of Kindness, 2011, Photos: Paul Green/Kaldor Public Art Projects; 13 Rooms exhibition, 2013; curated by Klaus Biesenbach and Hans Ulrich Obrist for Kaldor Public Art Projects, Photos: Jamie North/Kaldor Public Art Projects; Anri Sala, The Last Resort, 2017, Observatory Hill Sydney for Kaldor Public Art Projects with Museum of Applied Arts and Sciences;  Thomas Demand, The Dailies, at Commercial Travellers Association Martin Place, Sydney, 2012. Photos: Paul Green/Kaldor Public Art Projects; Carsten Nicolai, snow.noise 2001, at Art Gallery of NSW, Sydney, Photo: Jenni Carter; Marina Abramovic: In Residence, 2015, Kaldor Public Art Project at Pier 2/3 Walsh Bay, Sydney, Photo: Pedro Grieg; Pierre Huyghe, A Forest of Lines, presented at Sydney Opera House for the 16th Biennale of Sydney 2008, Photo: Courtesy the artist an Marian Goodman Gallery New York I Paris; Allora & Calzadilla, Stop, Repair, Prepare: Variations on ‘Ode to Joy’ for a Prepared Piano, presented by Kaldor Public Art Projects at State Library of Victoria 2012; Jonathan Jones, barrangal dyara (skin and bones) 2016, at Royal Botanic Garden Sydney for Kaldor Public Art Projects, Photo: Pedro Greig; Roman Ondák, Measuring the Universe presented as part of his Kaldor Public Art Project in Parramatta as part of Sydney Festival 2014; Doris Salcedo, installation view from Liverpool Anglican Cathedral for the 1999 Liverpool Biennial curated by Anthony Bond; Antony Gormley, installation view from Pier 2/3 for the 15th Biennale of Sydney in 2006, curated by Charles Merewether.